Ramayana. 1

This is taken from www.hindunet.org/ramayana

Introduction

raamaayaaNa is one of the largest epics in the world, comparable to the Illiad and Odyssey. it originates form bhaarata (india) - the land of king bharata. raamaayaNa is one of the two itihaasa (historical account) scriptures of sanaatana dharma (Hindu-dharma), the other being the mahaabhaarata. It describes events that took place in ancient bhaarata around 7000 BCE (before common era - also known as B.C.) It contains the story of Lord raama the 7th avataara (incarnation) of Lord vishNu in the tretaa yuga (the silver age among the four ages in a mahaayuga which corresponds to a complete cycle of the earth's percession). The puraaNas, raamaayaNa and the bhagavada geeta are considered (both-independently and together) by many as a fifth veda. Among the four most popular sets of Hindu scriptures - the vedas, puraaNas, itihaasas and tantras, the itihaasas (raamaayaNa & mahaabhaarata) are the most popular among Hindus all around the world today. Among the numerous translations of raamaayaNa are shrii raama charita maanasa in avadhii language by tulasidaasa and kamba raamaayaNa in Tamil.
The original raamaayaNa was authored by r^shi (Seer, Sage) vaalmiiki in sanskr^ta. The interesting thing about it is that raamayaNa unfolded AFTER it was written. The incidents that were to happen around the seventh avataara of vishNu were revealed to vaalmiiki before they even took place. Another way of looking at is that vishNu simply played out a role as raama as dictated in the raamaayaNa. The significant thing however is that the role itself was of an ideal human being. r^shi vaalmiiki was originally a robber who later turned into a r^shi of the highest stature. He is credited to be the first human to compose poetry and is given the title aadikavi. Valmiiki himself appears in the raamaayaNa. In the last part of raamaayaNa when siitaa is sent to the forest by raama, it is r^shi vaalmiiki's hermitage where siitaa takes refuge.        


raamaayaNa stresses on bhakti yoga - the yoga of devotional love. raama represents the ideal man and siitaaraani the ideal woman. hanumaan is an epitome of a bhakta (devotee) with daasya bhaava (accepting God as the supreme master). Since raamaayaNa is about events in tretaa yuga, when the society was still mature, it represents the best of relationships among humans. Even the raakshasas (roughly translated as demons, but a better translation would be misguided or ignorant beings) of lankaa followed a strict code of conduct. Thus in the raamaayaNa we can find the ideal relationship between father and son in dasharatha & raama as well as in raavaNa and meghanaatha. The ideal couple is represented by raama & siitaa and raavaNa and mandodari. raama and lakshamaNa are the best of brothers and so are bharata and shatrughna. hanumaana and vibhiishaNa are the ideal devotees.
There are some interesting differences between raama and krishNa although both are avataars of vishNu. raama was born and died as a prince and king but lived as an ascetic, krishNa on the other hand was born in a prison and died due to a wound caused by a hunters arrow, but He lived as a king all his life. raama exemplifies the ideal human and is most loving and gentle. krishNa on the other hand has the most fun and lovable personality. In the form of raama, vishNu simply plays a part or role already assigned to Him by vaalmiiki whereas as krishNa he reveals that he is God incarnate.
raamayaNa is a religious, spiritual and historical manual. The tulasii raamaayaNa is one of the most popular scriptures authored during the bhakti era in medieval India.
The vaalmiiki raamaayaNa has the following kaanDas (chapters).

1.   baala
2.   ayodhyaa
3.   araNya
4.   kishkindhaa
5.   sundara
6.   yuddha
7.   uttara

Where in lay the secret of this unique greatness in Raama’s personality? He is called Maryadha Purushottama- the great one who never deviated from the norms of Dharma. In the eyes of a Hindu, the touchstone of human excellence is Dharma. Devotion to Dharma came first in Raama’s life. It was his supreme commitment to putra-dharma that made Raama smilingly depart to the forest for fourteen years. Again He did not budge from the path of Dharma when he was made the future emperor of Bharat. Don’t we recite in Vishnu Sahasranama that Raama is Dharma himself :

Ramo Viramo Viraj, Marg Neyo Neyonayah
Veera Shakthimathan Shresta, Dharmo Dharmavidhutamma

Lord Raama was ready to forsake everything else to uphold his kingly duties - Rajdharma and take care of his countrymen. In fact he once told Sitadevi that he would not hesitate to sacrifice even her if the welfare of the people of Ayodhya required it.

Sneham dayaam cha soukhyam cha, yadi vaa jaanakimapi
Aaraadhanaaya lokasya, munchate naasti me vyatha.

However, the most crucial test came when Lakshmana violated the orders of Lord Raama and admitted Durvasa’s presence with a view to averting the destruction of Ayodhya by Durvasa’s curse. Raama stuck to the Law of the land and awarded death sentence to Lakshmana- one whom he loved dearer than his own life. Such was Lord Raama’s intense adoration and love for the motherland and this is revealed in the following legendary couplet

Janani Janmabhoomischa Swargaadapi Garreyasi

This means that the mother and motherland are greater to me than the heavens themselves.

Sri Raama’s role as one of the first and foremost national unifiers of Bharat is also unique and extraordinary. He embraced Guha, the boatman and also enjoyed the fruit offered with devotion by Shabari, a tribal lady without any hesitation. Lord Raama has become so much identified with all the good, great and virile qualities of a human being that expressions such as "Us me Ram nahi Hai" have become common usage.